It's (too) early!
I am reminded of a relatively recent Army recruiting commercial that highlighted the (presumably) character-building advantages of having accomplished more by some gawdawfully early hour than normal people accomplish in an entire day.
I feel a little like that right now -- having started work at 4:45 am -- except for the accomplishment part. In all, so far today I've provided "fire brigade" support (i.e., on an "as needed" basis) for a perfectly plain-vanilla operation (charging spacecraft batteries). I then took advantage of the early hour to call home, and found the lines clear.
* * * The show last night was certainly not the kind of polished, professional stuff you'd expect out of Broadway or Hollywood, but that was perfectly okay with pretty much everyone in the audience, including me. (Come to think of it, a lot of what we get out of Broadway and Hollywood is not the kind of polished, professional stuff you'd expect out of those places, either, but I digress...)
The program kicked off with some numbers by a band made up of officers stationed here at the Baikonur cosmodrome. There then followed a series of dance numbers by members of two or three youth ensembles, interspersed with songs by solo singers. The band then returned to the stage to cap off the show.
I took a handful of photos, most of which came out fuzzy, mostly because I learned a long time ago that using one's flash to override the exposure time tends to exhaust the camera battery and tick off other members of the audience. (It sure doesn't illuminate the subject, if said subject is more than about 6 feet away from your camera. This has to do with the nature of the intensity of light; consult your favorite physics text for a more complete explanation, as I appear to have digressed...) Furthermore, I was enjoying the show too much to concentrate on photography. I did, however, manage to salvage the following image from among those I took:

The audience was not just members of our campaign team. There are several apartment buildings in our complex and people who live there attended as well. Also, since there were children milling about -- and since there are no children living out here -- I can only conclude that folks from Baikonur city came out to see the show as well.
The whole experience got me to thinking about the significance of amateur performance and the meaning of amateur enthusiasm. My thought process isn't complete, and I feel an essay coming on... but not now.
At any rate, after the show, the Astrium folks had a little get-together over at the Kometa hotel, and invited the interpreters. The Baikonur facility manager and the campaign program manager (from the Russian side) were there, which made it a working evening for Olga, who was drafted to sit at a table with the Russians and the lead Astrium fellow, Serge G. Among other toasts was one offered by Serge, on the theme of how wonderful and helpful it was to have a French-speaking interpreter around when you needed one. At the conclusion of the toast, glasses were raised in my direction as well, which was gratifying.
Though I was prepared to take my turn in the hot seat and relieve Olga, Sergey Z. asked Raphael to do so, I presume because I'd been slated for an oh-dark-thirty wakeup (I mean, I'm the other French-speaking interpreter, and few things can accentuate any lingering insecurities more...)
A couple of the Pinkerton guards found their way to the soireé (probably Ulrich's doing). We raised a glass to the late President Reagan and recalled the 60th anniversary of the landing at Normandy. I was moved to recite John McCrae's poem In Flanders Fields, as I thought it appropriate (even though it had been written during an earlier conflict).
Time to get back to work.
Cheers...
I feel a little like that right now -- having started work at 4:45 am -- except for the accomplishment part. In all, so far today I've provided "fire brigade" support (i.e., on an "as needed" basis) for a perfectly plain-vanilla operation (charging spacecraft batteries). I then took advantage of the early hour to call home, and found the lines clear.
The program kicked off with some numbers by a band made up of officers stationed here at the Baikonur cosmodrome. There then followed a series of dance numbers by members of two or three youth ensembles, interspersed with songs by solo singers. The band then returned to the stage to cap off the show.
I took a handful of photos, most of which came out fuzzy, mostly because I learned a long time ago that using one's flash to override the exposure time tends to exhaust the camera battery and tick off other members of the audience. (It sure doesn't illuminate the subject, if said subject is more than about 6 feet away from your camera. This has to do with the nature of the intensity of light; consult your favorite physics text for a more complete explanation, as I appear to have digressed...) Furthermore, I was enjoying the show too much to concentrate on photography. I did, however, manage to salvage the following image from among those I took:

The audience was not just members of our campaign team. There are several apartment buildings in our complex and people who live there attended as well. Also, since there were children milling about -- and since there are no children living out here -- I can only conclude that folks from Baikonur city came out to see the show as well.
The whole experience got me to thinking about the significance of amateur performance and the meaning of amateur enthusiasm. My thought process isn't complete, and I feel an essay coming on... but not now.
At any rate, after the show, the Astrium folks had a little get-together over at the Kometa hotel, and invited the interpreters. The Baikonur facility manager and the campaign program manager (from the Russian side) were there, which made it a working evening for Olga, who was drafted to sit at a table with the Russians and the lead Astrium fellow, Serge G. Among other toasts was one offered by Serge, on the theme of how wonderful and helpful it was to have a French-speaking interpreter around when you needed one. At the conclusion of the toast, glasses were raised in my direction as well, which was gratifying.
Though I was prepared to take my turn in the hot seat and relieve Olga, Sergey Z. asked Raphael to do so, I presume because I'd been slated for an oh-dark-thirty wakeup (I mean, I'm the other French-speaking interpreter, and few things can accentuate any lingering insecurities more...)
A couple of the Pinkerton guards found their way to the soireé (probably Ulrich's doing). We raised a glass to the late President Reagan and recalled the 60th anniversary of the landing at Normandy. I was moved to recite John McCrae's poem In Flanders Fields, as I thought it appropriate (even though it had been written during an earlier conflict).
In Flanders fields the poppies blowI got back to the Fili around 11 pm, having taken the long route home from the Kometa. Along the way, I could not help but notice how cold it was (and recalling how cold it had been during the previous day) and nearly got run over by a beetle crossing the road.
Between the crosses, row on row,
That mark our place; and in the sky
The larks, still bravely singing, fly
Scarce heard amid the guns below.
We are the Dead. Short days ago
We lived, felt dawn, saw sunset glow,
Loved, and were loved, and now we lie
In Flanders fields.
Take up our quarrel with the foe:
To you from failing hands we throw
The torch; be yours to hold it high.
If ye break faith with us who die
We shall not sleep, though poppies grow
In Flanders fields.
Time to get back to work.
Cheers...